“Is it worth paying for a ticket?”: The Great Beauty (2013)

The-Great-Beauty-Movie-Poster-LargePaolo Sorrentino’s The Great Beauty (2013) follows the daily and nightly life of Jep Gambardella (Toni Servillo), an infamous socialite living in Rome. In his 20s, Jep moved to Rome and wrote an extremely successful novella, which he has lived off ever since. Now, aged 65, the emperor of Rome’s nightlife, he comes face to face with his past in an unexpected way. The Great Beauty tells the story of a writer whose identity is established in the public eye, but privately, he is still searching for it.

Toni Servillo is the perfect actor for Jep Gambardella. His portrayal of the ageing socialite is so charming, but never sleazy. He perfectly affects the air of someone who has the confidence of their social status supporting them, but also someone who is so bored with everything. After writing his novella, and it being a huge success, Jep has been working in a journalistic capacity, reviewing art exhibitions. He seems to find meaning in this, but also seems discontent with having a career focused on the genius of others. Jep has a lot of ideas in his head that he could explore in a future novel, but will he ever get the time to sit down and write it, between his packed schedule of socialising, partying, and exploring his past? The film takes on the ideas of love, sex, religion, work, and meaninglessness. Like Jep, who is sick of unnecessary natter around these issues, so too does the film eschew rhetoric, attempting to cut to the core rather than consider the myriad extraneous issues surrounding them.

The parties feel just like something Jay Gatsby would organise. Dusk-til-dawn affairs, flowing drinks, the occasional narcotics. Old people, strange people, beautiful young women – everyone attends. They are shot in a way that does feel straight out of Baz Luhrmann’s The Great Gatsby (2013). You haven’t seen debauchery until you’ve seen an older Italian woman’s nose start bleeding from snorting too much cocaine off a kitchen chopping board, whilst the sun rises on the old stones of Rome. However, though these scenes are very Luhrmann-esque, the whole film feels like something straight out of the mind of Fellini. This film is as much of a love letter dedicated to Rome as Anita Ekberg splashing about in the Trevi fountain in La Dolce Vita (1960).

The Great Beauty is, for want of a better word, a truly beautiful film. From the very beginning, the cinematography is simply stunning. Rich colours, beautiful sweeping shots that take in all elements of a scene’s environment, with a particular focus on the faces of characters, and the occasional loving glance at the face of a marble sculpture. It seems that the camera is looking at everything that’s beautiful in Jep’s world, much like a tourist in Rome would. The music is also amazing. The film uses a number of choral pieces throughout that are heard during key moments and are so evocative. Creatively, the film is a work of art.


This film has received some criticism on a number of levels. Although the film works as a whole, when looking at its parts, some flaws can be seen. Although Jep Gambardella’s character is fleshed out sufficiently, his friends are not explored as well, which makes them feel slightly shallow at times. I felt that this might have been intentional, though, in order to show that friendships or relationships can be disposable in Jep’s world. The story can be repetitive and circular, and arguably purposeless – party, analysis, understanding, party, analysis, romantic conquest, understanding, party. In my opinion this was done intentionally to illustrate how Jep feels about his current life – monotonous and boring, despite its fun and glamorous moments. After reflecting on the film, I came to the conclusion that its perceived flaws are also a part of its storytelling.

Watching this film in the cinema is a visceral experience. Maybe it’s just me, but moments of The Great Beauty were so beautiful that it brought tears to my eyes. It’s a long film, over two hours long. But I was captivated the whole time. Whilst the film is quite dialogue-heavy and light on a clearly defined story, it is just so beautiful (visually and thematically), that you can’t take your eyes away from it. The final credits are another example of the amazing cinematography, so be sure to stick around to watch them also.

Is this worth paying a ticket to watch in the cinema? Yes, absolutely. The big screen and surround sound serve this film so well. The Great Beauty is beautiful, elegant, and moving. Will it win the Best Foreign Film at the Oscars? It’s a tight race. This was definitely one of my favourite films released in 2013. Top three for sure. Loved it.

Is it worth paying for a ticket?: YES!
Watch the trailer here.

Watch this film on Amazon!


  1. Sounds like a painting brought to life

    1. It does sometimes feel like that! πŸ™‚

  2. Yes!! You definitely have to see it in the theater. I totally agree with you that it’s done intentionally, so great review! πŸ˜€ One of my favorites as well, hope it wins best foreign as much as I loved The Hunt.

    1. I really loved this film! Now I feel conflicted about who should win the big award! Why can’t everyone win everything?

  3. Great review! I need to see this one, and you have only further highlighted as much. :/)

    1. Thanks! πŸ™‚ You definitely have to see it! I’m already thinking of seeing it again.

  4. This is a fantastic review! Hope I have time to catch this in the cinema

    1. Thanks Mikey! πŸ™‚ I hope you do too! It’s excellent.

  5. Although there were a lot of things that I liked about this film, especially its cinematography… the plot in the second half kind of overstayed its welcome, in my opinion… and got pretty convoluted too, thus resulting in an experience that was more or less disappointing.

    Excellent review nonetheless, Anna πŸ˜›

    1. Thanks! πŸ™‚ How weird was the addition of the saint storyline? I kind of loved the convoluted nature of the film towards the end. By that point I was pretty much sold and would have loved it even if it turned into a post-apocalyptic story about robots. But thankfully that didn’t happen.

      1. That saint storyline is only what did the maximum damage & ruined it for me actually. Plus, she didn’t even die which I was hoping for and that left me utterly disappointed πŸ˜›

  6. I’m definitely anxious to see this. I think it opens here next weekend.

    1. Would love to hear what you think if you end up seeing it! πŸ™‚

  7. hmm I think I will have to see this after all!

    1. I think you should too! πŸ™‚

  8. Great work Anna, I really regret not catching this now, when it came through town briefly.

    1. Thanks Tom! It’s still worth catching on DVD or Netflix, especially if you have a good surround sound system!

  9. Oh, you liked it so much more than I did. I love your review, still, and understand much better now why other people did like this. πŸ˜‰

    By the way, your background is really awesome!!

    1. Haha, thanks Elina on both accounts! The background is by an Australian designer called Emily Green, she’s great. I felt like something colourful and summery!

  10. […] think I can pick between them because I adored them both for very different reasons. I loved The Great Beauty for its exploration of beauty and its themes which unfold in such a mesmerising way. I loved The […]

  11. […] in the day I reviewed a most beautiful film called The Great Beauty (2013), or La Grande Bellezza, and I was so pleased to read this review of the film over at Popcorn […]

  12. […] mix of the gorgeous original score by composer Lele Marchitelli (who also scored Sorrentino’s The Great Beauty (2013)), and modern music that suits the tone of the series. But the show is filled with these little […]

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