I love watching films about strong women. I think they’re so important to see and to celebrate, so when I found out that Martin of Martin Teller’s Movie Reviews passed the baton to me in this most excellent of relay blogathons, I was really excited! Any chance to highlight the diversity, strength, and iconic status of certain women in film is very important indeed.
Here’s how the wonderful Dell On Movies, the inventor of this blogathon, describes it and its rules:
A list of 10 iconic female movie characters has been made. That list will be assigned to another blogger who can then change it by removing one character (describing why they think she should not be on the list) and replacing it with another one (also with motivation) and hand over the baton to another blogger. Once assigned, that blogger will have to put his/her post up within a week. If this is not the case the blogger who assigned it has to reassign it to another blogger.
With those rules all clear and out of the way, the ten iconic female characters that Martin passed on to me are all pretty awesome in their own way. He had just swapped out Uma Thurman’s character The Bride from Kill Bill 1 & 2 (2003; 2004), in favour of the enigmatic Catherine, played by Jeanne Moreau, from Truffaut’s classic film Jules et Jim (1962). Which I think was a very inspired choice! I really love every lady on this list so I’ll certainly have some trouble and angst in swapping one of them out. Here are the ten most iconic female movie characters I’ve been assigned:
As expected, I had some trouble with this. I can appreciate all of these female characters as being iconic in their own way. But when it came to swapping out one for another, I had to take into account what the word ‘iconic’ means to me. For the purposes of this post, I define ‘iconic’ as instantly recognisable and representative of an entire concept; you see this character and think of not just the film and its story, but what the film represents, and the accompanying issues as well. To me, ‘iconic’ means something that has had an impact on culture (both cinematic and beyond) not only in the short term, but into the future, and something that will continue to inspire. When I had a good think about it, one particular character came to mind.
I have chosen to swap out Sarah Connor (I do love her though) for Rosemary Woodhouse from Roman Polanski’s horror classic Rosemary’s Baby (1968).
Readers of this blog might remember that I really, really love this film and are probably pretty sick of hearing me wax lyrical about it! But it’s not just my biased view towards the film that has led me to this conclusion (I swear, although the film is pretty much perfect).
The character of Rosemary Woodhouse, played by the amazing Mia Farrow, can sometimes be read as a feminist’s nightmare as it brings up and never conclusively answers several questions about the right for women to the control and management of their own body, forced pregnancies, and the general playing-down of domestic/sexual violence and suppression of womens’ rights. But despite these very problematic themes indeed, Rosemary herself is iconic to me. Rosemary Woodhouse is the representative of Rosemary’s Baby; it is her actions, her sticking up for her own body and health, and her tenacious decisions and search for information, that represent her fight for her rights – even though (spoiler alert) this is generally to no avail. Mia Farrow’s performance is so powerful and memorable, and the progression of her character from someone with rose-coloured glasses about being a wife and mother, to someone who is living in their own personal nightmare, is simultaneously heartbreaking and incredibly stressful to watch.
On a more shallow note, the imagery associated with this film is absolutely iconic – for example, Rosemary withering away as her pregnancy progresses, her trendy Vidal Sassoon haircut, the disturbingly occult conception scene, and the final moments as Rosemary faces the horror that she sustained within her own body. Rosemary’s Baby is such an effective and scary horror film, and since it is led by such an iconic female character, it is sure to have an impact on the making of horror films for many, many years to come.
Thank you to Martin again for passing the baton to me in this most wonderful of blogathon relays. I pass the baton to… Alex of Alex Raphael! Can’t wait to see what you come up with for the next iconic female character!
I knew I was putting the list into good hands. Terrific choice, and great post!
Thanks so much for nominating me! 😀 I had a lot of fun with this even though it was difficult to make a choice between so many awesome characters!
Interesting choice! I’m a little surprised that Sarah Connor was dropped, but I’m glad that my choice (Jackie Brown) survived another round. Rosemary’s Baby is a blind spot for me, but it’s on my blind spots list for this year. I’m going to watch it in October.
Yeah, it was a very difficult decision to make! Love Jackie Brown though, I could never get rid of her. I really hope you love Rosemary’s Baby as it’s one of my favourite films of all time!
Great choice. I will have a think 🙂
I think you made an excellent choice in the end! 😀
Great choice. I’m also surprised to see Sarah Connor go, but I can’t argue much against Rosemary. Btw, love the pic you used of Sarah Connor. I’ll count that as consolation for her getting axed. Great pic of Holly Golightly, too. Thanks for participating.
Thanks Wendell! 🙂 I feel sad because I do really love Sarah Connor as a character. If I could have expanded this list to twenty amazing females I totally would have! It was a bit of a coin toss between her and Holly Golightly, but unfortunately that image of Holly at Tiffany’s is just too iconic to let go.
[…] Anna decided to remove Sarah Conner from the list and replace it with Rosemary Woodhouse from Rosemary’s Baby. A very worthy entry. Anna did such a great job with the pictures, I’ve decided to keep them and adopt the same theme for mine. […]
Excellent and very interesting choices.
Love what you wrote about the character! Farrow’s performance is fantastic. Glad to see my addition, Ellen Ripley is still on the list.
Though where the hell is Clarice Sterling?
Thanks Sati! 🙂 Would never even think of getting rid of Ripley! As for Clarice, that is a really excellent point!
Great post! Man… You really DO love Rosemary’s Baby… ; )
I really do! 😀
Thanks Abbi! 🙂
Very cool! Rosemary is an excellent choice.
Thanks Eric! 🙂
Love the layout, and I appreciate your choice! Personally, I don’t really like Rosemary’s Baby (sorry!!) mostly because of the feminist issues you covered here, but I definitely agree that the role/actress is iconic. I’m ok w/ Sarah Connor being pushed out, though I honestly have no idea who I’d replace her with…
Thanks Alina! Haha, I don’t blame you for disliking Rosemary’s Baby – as a casual keyboard warrior for feminist/social justice issues the anti-female sentiment makes me angry, but yet I keep falling in love with it every time I watch it. It’s like being in a relationship with someone who has opposing political beliefs. Probably the weirdest simile I’ve made!
So glad you chose to add Rosemary! Definitely iconic! And I’m glad you chose Alex since he was able to tag me! Lol. Great job, lady! And, again, thank you so much for helping out with that pic!!!
Thanks Cara! Happy to help any time! 😀
Agree! Rosemary’s Baby is iconic to say the least. Probably her best role. Great choice Anna!
I love this! Great choices! Love your reasoning!
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