The Remembering Barbara Stanwyck Blogathon: Clash By Night (1952)

Poster - Clash by Night_01A drama with film noir elements set in the fishing village of Monterey, California, Clash By Night (1952) is one of Austrian-German director Fritz Lang’s later films; Lang mainly being known for his earlier films such as Metropolis (1927) and M (1931). Clash By Night tells the story of Mae Doyle (Barbara Stanwyck), who has returned to the sleepy fishing village, her childhood home, after a sordid love affair in New York. She soon meets gruff fisherman Jerry (Paul Douglas), and the two begin to fall in love. However, will brutish film projectionist Earl (Robert Ryan) throw a spanner in the works of their developing relationship? Meanwhile, Peggy (Marilyn Monroe) is dating Mae’s brother Joe (Keith Andes), and believes herself to be a strong woman in the face of his overt masculinity.

The one and only Barbara Stanwyck leads this cast in true Stanwyck fashion – her breathy voice and commanding screen presence being a complete highlight of the film. Stanwyck truly commands your attention at all times when on screen. Her authenticity of emotion stands out as a highlight, and her delivery of iconic lines such as “Home is where you come when you run out of places”, is a treat to watch. It is also worth noting that Clash By Night features an early performance by Marilyn Monroe, and that this was one of the films that contributed to a sudden escalation in her fame and interest in Monroe as a Hollywood actress. Monroe’s character is feisty with very feminist views, and it is interesting to see Monroe’s interpretation of this role, coupled with her masterful handling of subtlety and vulnerability in acting style. I also very much enjoyed the performance of Paul Douglas as Jerry, whose charm throughout the film is heartwarming, but whose eventual meltdown is a complete scene-stealer.

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Director Fritz Lang, as aforementioned, is best known for his earlier films, which includes a hearty dose of German Expressionism; one of my favourite film styles. It goes without saying that Lang’s direction is quite excellent in most of his films, and I am glad to say that Clash By Night is another excellent example of his work. Lang seems to know just how to direct and work with dialogue in such a way that it feels like the viewer is right in the middle of a discussion or argument, which can be intense given the passionate arguments on display in Clash By Night. Cinematographer Nicholas Musuraca, in conjunction with Lang’s direction, borrows quite a bit from German Expressionism in his manner of arranging a shot. There also appears to be a healthy film noir element on display; not only does the film showcase a somewhat dangerous dame keeping a secret, but this is also visually represented in shadows and light that reflect the dichotomy of relationships at play in the film.

With a script that can border on the melodramatic, at times the film appears quite ‘stagey’, as if the script would feel more at home when performed as a play rather than a film. But the script, as aforementioned, also contains some zingers of dialogue delivered by the one and only Barbara Stanwyck that feel like they’ve come out of some kind of hard-boiled film noir crime film. It’s an interesting balance. Most of the sets look completely like set pieces, as if they’re constructed out of cardboard and plywood and have been painted on the day. But luckily, the performances are good enough and compelling enough that you don’t notice the surrounds most of the time.

Clash By Night is one of those films with a deceptively simple story. What is most engaging about this film, to me, is its treatment of male-female romantic relationships, and the gender dynamics of the time. Some moments feel quite dated (including a couple of outrageously, blatantly racist moments), and the film is very much a product of its time. Clash By Night is probably not my favourite film directed by Fritz Lang. It’s certainly not his edgiest piece of cinema. But when considering the talent on display in the form of Barbara Stanwyck and her commanding screen presence, and the fact that the film contains a strong emotional core which is well-acted by all members of the cast, it is well worth watching.

3.5/5
Watch the trailer here.

This post is a part of the Remembering Barbara Stanwyck Blogathon at In The Good Old Days of Classic Hollywood. Read the rest of the posts here!

14 comments

  1. I need to watch this! Thanks for reminding me. Great review 🙂

    1. Thanks heaps Cindy! 😀

  2. Barbara Stanwyck? I’m sold!

  3. I need to check this out. Really, I need to see lots more of her work than I have. Thanks for the inspiration. I will say I’m chuckling at the poster that says this is only suitable for adults. My, how times have changed.

    1. I love vintage film posters so much – little bits from bygone eras such as ‘suitable only for adults’ are so funny! Times have changed for sure.

  4. I’ve seen most of Lang’s earlier work but have never bothered to look into his later films – clearly I’ve missed a few gems! I look forward to watching this one.

    1. Me too, I’ve definitely seen more of his earlier work, and before seeing this had never really considered watching the later stuff. I was surprised by how much I enjoyed this one!

  5. Great review – this is a film I haven’t seen yet, but will track down. I’m realising just how many Stanwyck films there are that I still need to see.

    1. Thanks so much Judy! She was such a prolific actress with so many films to enjoy!

  6. Hey. Sorry for the late reply. I’ve only just returned to blogging after a long absence. Thanks so much for participating in the blogathon with such a great entry.

    Also, I’ve just announced another blogathon, and would love to invite you to participate. The link is below with more details.

    https://crystalkalyana.wordpress.com/2016/02/27/announcing-the-bette-davis-blogathon/

  7. Janine · · Reply

    It’s most definitely film noir, and the ending tells us so. When Paul Douglas ponders on the fear of having to trust in promises, that is pure Lang and a product of the German experience that brought film noir to Hollywood. It’s true noir realism: that one has to take each day for what it is and there are no guarantees; this is the way to get through life which always asks for compromises and sacrifice

  8. Hi . Hope you’re going well. I just thought I would drop by to let you know that I’ve announced another blogathon. At the moment I’m in the midst of contacting participants of previous blogathons to let them know. Anyway I would love to invite you to join in. The link is below with more details.

    https://crystalkalyana.wordpress.com/2016/05/02/announcing-the-second-annual-barrymore-trilogy-blogathon/

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