Chris (Daniel Kaluuya) and his girlfriend Rose (Allison Williams) go upstate to visit her parents for the weekend. At first, Chris reads the family’s overly accommodating behavior as nervous attempts to deal with their daughter’s interracial relationship, but as the weekend progresses, a series of increasingly disturbing discoveries lead him to a truth that he never could have imagined. (source)
Get Out (2017, dir. Jordan Peele) is one of nine films nominated for Best Picture at this year’s Academy Awards. Unfortunately identified as a comedy at the Golden Globes (is racism funny?), it is arguably one of the most socially and politically relevant films of all the films nominated for Oscars. Instead of writing a big review of the film, I’ll share with you some brief thoughts on it.
Here’s a selection of my thoughts on Get Out:
- Every time I hear the title Get Out, I can’t help but burst into the chorus of this classic song by JoJo from 2004. Such an empowering song for a generation of young women growing up in the mid-00s, but I digress.
- Before even thinking about the story and its themes – this is a visually stunning, gorgeously directed film with absolutely beautiful cinematography by Toby Oliver. The use of colour is rich and luscious, and the set design is particularly visually appealing.
- There are brilliant performances by Daniel Kaluuya (who is up for an Oscar for Best Actor, and rightfully so) and Allison Williams, with pretty hilarious backup from Lel Rel Howery. Creepy performances from Catherine Keener and Bradley Whitford are also highlights.
- Above all, Get Out plays host to some of the most awkward, uncomfortable moments because it puts that kind of horrendous passive aggressive racism directly on display. As we all know, racism exists in many forms, and it’s not always the blatant, obvious kind.
- Sometimes, the more subtle kinds of racism or other kinds of prejudices can be even more creepy and insidious because it makes one doubt or second guess their own perception of what is going on socially, and wonder whether one is being overly sensitive, which further perpetuates the problem and allows it to flourish.
- This is what Get Out excels at creating – a tense atmosphere of subtle racism and prejudice during a political climate when noting these prejudices, whether they are overt or subtle, is absolutely critical.
- Not to mention, there’s an excellent twist that caught me by surprise, which is always great. At some moments, you just don’t know where the film will go. It’s not predictable or derivative, but its own story. I don’t think I’ve seen much like it before.
- Unfortunately, I doubt this will win the Oscar, even though it probably should. Get Out is fantastic.
Watch the trailer here (mild spoilers).